Creativity — Not Just for Geniuses by Douglas R McGaughey is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Creativity – Not Just for Geniuses
Paul Elie reports in his NY Times Magazine article of September 7, 2012, “30 Variations and a Microphone:”
“Glenn Gould was booked into 30th Street Studio for the two middle weeks of June in 1955. The weather in New York was sunny, the temperature in the 60s. He arrived at the studio by taxi from a hotel near Central Park, wearing an overcoat, a beret, a scarf and gloves, and carrying a leather suitcase and his folding chair. He stripped down to a dress shirt and a sleeveless V-neck sweater. Opening the suitcase, he set out pills, bottled water and towels. Rolling up his sleeves, he ran hot water in a sink, the sort of deep-basin porcelain sink that mops are wrung out in, and soaked his hands and forearms until they were red.
Earlier that year, he paid a visit to the Steinway & Sons showroom on 57th Street: in the basement, several dozen grand pianos stood side by side, and he had played them in succession, finally identifying one he liked.
Now the piano, known as No. 174, was in the studio, with microphones arrayed around it. He set up his chair and settled himself before the keyboard. He took off his shoes, so he could move his feet without making noises that would be picked up on tape.”