Reason Suppresses Feelings? Or Moses Mendelssohn’s Influence on Kant’s Project of Three Critiques – Revised 27 June 2018

Here is a pdf version with footnotes (rather than endnotes) and page numbers:  Mendelssohn’s Influence on Kant’s Project of Critiques June 2018

Reason Suppresses Feelings? Or Moses Mendelssohn’s Influence on Kant’s Project of Three Critiques by Douglas R McGaughey is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Originally Presented at Stellenbosch University
in Stellenbosch, South Africa,
24 April 2017
Revised 27 June 2018

Reason Suppresses Feelings?[1]
Or
Moses Mendelssohn’s Influence on Kant’s Project of Three Critiques

Abstract:  A common claim is that the proper functioning of reason requires the suppression of feelings because feelings are a debilitating, merely subjective pathology that cloud and/or distort clear thinking.  Frequently, as well, it is claimed that Enlightenment reason’s suppression of feelings is exemplified by Kant.  This paper proposes to the contrary that a more appropriate understanding of the role of feelings (not emotions, generally) for Kant’s Critical Idealism, rather than being a pathological hindrance to reason, as well as an understanding of the centrality of the third Critique is served by examining Section VII of Mendelssohn’s Morgenstunden. The feelings of awe and respect are positive and ubiquitous to theoretical and practical reason as they, not by their content but by their function, motivate creativity and the assumption of moral accountability for the decisions driving, and the actions deriving from, such creativity.